lunes, 15 de enero de 2018
jueves, 11 de enero de 2018
Dosier La Morada
DOSSIER LA MORADA
OTUX
Contemporary Dance Company.
The Company
Director and Choreography: Marcela Ortiz de Zárate
Musical Direction: Jean Louis Carlotti
Scenography: Zinnia Ramírez
Lighting: Francisco Herrera
Graphic design: Paulina Veloso
Photography: Susana Ruiz
Press: Natalia Gatica
PERFORMERS:
Mane Ibarra
Daniella Gatica Morales
Analía Muriel Steinberg
Carlos Vera
Marcela Ortiz de Zárate
Jonathan Brussolo
Aurora ortiz
Musicians:
Jean Louis Carlotti
Gabriel Feller
Gregorio Moreno
Inspired by the Text "The Poetics of Space",
Gastón Bachelard
"How do secret cameras, cameras disappear, become
places for an unforgettable past? Where and how do they find rest unforgettable
and privileged situations? In what way do ephemeral shelters and occasional
shelters sometimes receive, in our intimate reveries, values that have no
objective basis?
The house as an instrument of analysis for the human soul
".
Helped by this instrument, will not we find, in ourselves,
dreaming in our simple house, grotto consolations? ... Not only our memories,
but also our forgetfulness, are housed. Our unconscious is lodged. Our soul is
a dwelling. And when we remember "the houses", of the
"rooms" we learn to "dwell" in ourselves.
The house in the life of man supplants contingencies,
multiplies his advice of continuity. Without it, man would be a scattered being.
It sustains it through the storms of heaven and life. It is body and soul. It
is the first abode of the human being before being thrown into the world.
"
NIDOS = VERTEBRATES
SHELLS = INVERTEBRATES
"The egg, the nest, the house, the homeland, the
universe." Víctor Hugo
"One could almost say that it had taken its shape just
as the snail takes the shape of its shell. It was his dwelling, his hole, his
wrap ... it adhered to it in a way like the turtle to its shell. "
Vlaminck Poliment.
1. DESCRIPTION OF THE PROJECT
The point of union is found in the different concepts found
in La Casa: El Nido, La Concha, La Puerta, La Morada, which describe the
intimate immensity of our daily lives, transmuted into a new space and shared
with the group of people who inhabit this new Residence.
2. PROFESSIONAL REVIEW
OTUX, Contemporary Dance Company, founded in 1987 by the
choreographer Marcela Ortiz de Zárate Broughton, in the city of New York. His
work has been developed in collaboration with artists from the audiovisual,
theatrical and musical areas, such as the artists Lorenzo Aillapán (Mapuche
bird man), Anna Genard, Marcos Límenes, Santiago Rebolledo, Gina Bonatti, John
Myers, Alejandro Escalante, Enrique Luna, He currently collaborates with the
musician Jean Louis Carlotti (True Love, El Mago and LAMBDA) and the plastic
artist Zinnia Ramirez.
OTUX has been presented in New York, Texas, Buenos Aires and
Mexico City. In Chile, for the Teatro a Mil Festival, 1st Dance Festival of
Carahue, the International Dance Day of the National Council of Culture,
Festival of Puerto Montt, Frutillar Lake Theater, MAC, MNBA, Sala Agustín Siré,
Public Schools of Peñalolén, Fundación Telefónica, Goethe Institut, National
Library, among others.
OTUX has received the support of institutions such as
FONDART-CHILE, the US-Mexico Culture Trust, the Rockefeller Foundation, The
Suit Case Found and the Movement Residency Program.
They just performed at FESTIVAL A MIL in Santiago,
presenting LA MORADA at the festival, 4, 5, 6 and 7 of January 2018 at GAM.
Marcela Ortiz de Zarate
He has lived and developed his work in Mexico City, New York
and Santiago de Chile. Professor and dancer with a degree from the University
of Chile, graduated from the National Institute of Fine Arts (INBA) in Mexico
City and certified teacher of Topf Technique / Dynamic Anatomy and Pilates
Method, in New York. Creditor of a scholarship to study at the Julliard School
of Performig Arts. Study Dance with Waldeen, Anna Sokolow, Indrani, Corvino,
Nancy Toph, and Barbara Malher, among others. Marcela has danced in Mexico with
the Space Theater Ballet, and in New York with Julliard Dance Ensemble, Carmen
Beuchat, Kei Takei's Moving Earth, Anita Gonzalez, John Marinelli, Sara Pearson
and Patrick Wildrig Co. Marcela has taught at University Arcis, Universidad
Mayor, University of Chile (Santiago, Chile), and the National School of Dance,
in Mexico. Currently she teach at UDLA Chile.
Zinnia Ramirez
He chose to be born in a magical and poetic port,
Valparaíso, on May 30, 1955, in a country at the end of the world, or at the
beginning, ruled by the constellation of the Southern Cross. He studied Art at
the University of Concepción, Bachelor and Pedagogy in Plastic Arts.
She continued her studies as a free student of Visual Arts,
ceramic workshops, pre-Columbian cultures, studying the Mapuche culture and its
language in Trawun Ruka, Santiago. He made two posts in Semiotics of Art and
Sociosemiótica at the University of Chile.
He has participated in projects in Chile and abroad. In 2005
she was nominated for the Altazor Prize, for sculpture "Mandala", in
a collective exhibition "Materia más espíritu", exhibition at the
Museum of Visual Arts MAVI, FONDART Award.
Individual exhibition at the National Museum of Fine Arts
2012: Retrospective of his work, "PASAJES 1992-2012"; winner of the
2012 National Visual Arts Award, from the Critics' Circle of Chile.
He has participated in Fondart projects, Andes Foundation,
Ministry of Foreign Affairs, Ministry of Education and Art and Community Action
groups. She has worked on projects for the rights of all beings, together with
other women and artists in the great task of kneading, modeling and weaving
His work emerges in the indescribable lightness of a natural
uprising, an outbreak, an explosion ... from the wet shadow emerges, dragging
from the unconscious, the deep sounds of a Mantra, a Mapuche Purrun, as a
complex structure that arbitrates the fusion between concepts . Art
indecipherable by the procedure of purely rational practices.
In Mexico he worked with the work MANDALA KITRAL, Mapuche
Sanskrit word that means circle that inside, symbolizing the fire with its
telluric movement, conformed with lights in its interior. The MANDALA works as
a map of the inner reality, which guides and supports the development to which
we are predisposed to respond, the circular figure goes with human history, and
everything that the power of the world does the circle does, being an aid
visual and magical that makes us reach certain mental states when entering the
Circle, and by acting on it, creating it, it becomes a sacred and healing act,
connecting us with the cosmic rhythms of the Universe, expanding our
consciousness as human, natural and Cosmic visión.
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